08 September 2011

CoC: 08 Sep 2011 [Day 05]

CHARACTERS
Alexandrite Simon Addison: Parapsychologist, male, age 36. Speaks Latin. Yearly income $7500. Originally from Sheffield, England.
Ruth Day: Professor of archaeology/anthropology, female, age 34. Speaks Egyptian. Yearly income $3500.
Mabel Agatha Thujone: Waitress at a speakeasy, female, age 19. Left-handed. Yearly income $2500.
Frank Joe Franklin: Farmer/Mechanic, male, age 22. Yearly income $3500. DECEASED.
Declann Clifford Winters: Ex-soldier (Airman for the Royal Flying Corp), male, age 33. Yearly income $20,000.
Ashleigh Kyllingmark: Dilettante and wannabe-hero, male, age 21. Speaks Mandarin. Yearly income $4500.


SPECIAL ITEMS
- Africa's Dark Sects (book)
- A large, empty, coppery bowl with unrecognizable runes that seem to squirm
- African devil mask
- Carved African sceptor with Egyptian hieroglyphics
- A headband with runes, which protect the wearer from nightgaunts
- The zebra pelt the above five items were wrapped in
- Whatever other items the investigators wanted to steal from Ju-Ju House
- Three articles from The Scoop
- Record of Roger Carlyle's mental health records

- Vial of green liquid from Miles Shipley's house


SPECIAL NOTES
In 1925, £1 = $4.87, although it began dropping over the next few years. In 1931, £1 = $3.69.
To look at inflation, the 1925 equivalent of one modern US dollar was $0.08.
The 1925 equivalent of one modern pound was six pence. (At the time, 12 pence in a shilling, 20 shillings in a pound - 260 pence in a pound)



HEALING RULES
First Aid: Immediately restores 1d3.
Medicine: Immediately restores 1d3.
All living creatures heal naturally - 1d3 HP per game week until all HP have returned. First Aid and Medicine skills can speed recovery (1d3 HP for First Aid, 2d3 HP for Medicine). Each treatment is specific to one injury. Medicine supersedes natural healing; once it's applied, all injuries heal at the Medicine rate, but Medicine must be applied each week or the rate returns to natural healing. (2d3 medicine healing instead of 1d3 natural, not in addition to).


TODAY'S SESSION
23 January 1925, Saturday

The investigators head to Miles Shipley's house in late evening, deciding to see him prior to going to face monsters. The filthy house is in need of major repair, and located in a shoddy environment. It's a two-story brick house. They ascend the two steps up to the door as the rolling fog parts to grant them admittance. A small gardner snake juts out across the yard.

Frank walks up the steps and hits the doorbell. Despite his punch, the doorbell doesn't ring. He pounds the knocker instead and only a dark, empty echo greets him. A few minutes later, faint steps creak toward the door. Frank knocks again. The door opens and an elderly woman answers it. Frank asks if Miles is there and the woman says her son is indisposed but we can look at his paintings for a downpayment of 35 pounds. Declann attempts haggling with her but fails and she shuts the door and bolts it shut. Mabel takes a look at the boarded-up windows and discovers that the windows are not only boarded-up, but barred shut. Declann knocks again but the old woman says the bobbies are on the way if we don't leave. As she shouts out for us to leave, her voice rises a few octaves.

Declann offers to pay and the woman asks that they send Mabel in with the money alone because she doesn't want strange men in her house at night. Declann asks if they can come back later and she says yes. Ashleigh asks if 11a.m. is alright and she says yes. Ashleigh bids her a lovely evening and she returns in kind.

As they're leaving, Mabel hears a door open and footsteps - like boots - heading away, seeming to be from the house we just left. Ashleigh and Declann follow the steps - belonging to a man wearing a half-unbuttoned, white, paint-splattered shirt - down a back alley where a group of women are present. He exchanges quiet words with one of the women, propositioning her back to his house. Declann accidentally kicks a can, sending it clattering down the street. The whore jumps in surprise and Miles Shipley stares at Declann with bloodshot eyes. When Declann pretends to be drunk and asks if he's the painter guy Shipley, Miles shuffles away more quickly with the girl toward his house. Ashleigh quietly asks Declann if they should try to talk to the girls or follow Miles, and Declann offers to talk to the girls if Ashleigh follows Miles and the girl to see if he locks the door behind himself.

Declann flashes his cash to the girls, who are not helpful. Meanwhile, Ashleigh hears them go into the house; the door does not shut or lock. He hears the girl trip over something, giggle, and then let out a bloodcurdling scream that echoes down the street. He's frozen for two seconds before running forward in the third, reaching the door, and looking inside. He sees a bundle in the darkness - cloth-like, almost - about three feet in. Curious, Ashleigh lunges in and grabs the bundle, which looks like whitish fabric. As he pulls it toward him, he sees what appears to be skin... and then a mane of white hair. He drops the old woman's skin like a hot potato and backs away hurriedly, squeaking and gasping and rushing back to the front. Breathless and disturbed, he blurts out, "Th-- old-- woman-- skin-- dear god-- her-- her-- bloody hell! Tea!"

To his shock, Mabel and Frank immediately bolt for the very back door. They get to the base of the steps at the back door and see a glow of red eyes - and then Mabel immediately turns, pulls out her gun, and blasts a hole in Frank, killing him messily. Declann reaches them next and sees Mabel and Frank - then sees Mabel's gun pointed at him next. Declann prepares to dodge, Ashleigh does the same as well - mimicking Declann's gesture in his sheer uncertain panic - and then the monster steps out of the doorway. About 5' 6" tall, what looks like a humanoid serpent with fangs dripping acidically steps out. From the fangs hang a garter, and he holds knitting needles, brandished like swords. Upon seeing the monster, Declann feels a heavy weight that seems to crush into his psyche; he feels an overwhelming desire to flee in panic.

Stumbling out of the house in what appears to be a drugged haze, Miles stumbles out of the house wielding a butcher knife. Mabel opens fire on Declann next, but Declann dodges. Declann runs, dropping his gun; Alex grabs the gun and fires at the monster. The air about a foot in front of the monster ripples as the bullet bounces off of it. Confused, Ashleigh runs after Declann. The monster hisses at Alex, who then feels a strong suction in his mouth. The suction ceases after a few moments, and Alex is left feeling like he's lost a part of himself (metagaming-wise, four magic points).

Miles charges forward at Alex, swinging his butcher knife - and completely misses. Mabel drops her gun, grabs her knife and steps up to shank Alex as well, slicing into him. Alex shoots at Miles, managing a glancing blow. He fires at Miles instead and manages to blast him unconscious. Losing Declann as the crazed man takes off, Ashleigh gives up and hurries back to back Alex in the fight. Alex blasts Mabel next, and knocks her unconscious as well.

Reaching the scene of disaster as an adrenaline-rushing Alex fights for his life, an impulsive Ashleigh bolts forward to punch at the snake-monster. The snake monster informs Ashleigh that he has lived for eons and will not be taken out by the likes of him, and lunges to chomp him but Ashleigh manages to duck. Alex - thinking he was out of ammo - hurries up to help Ashleigh this time and shoots at the monster with Mabel's gun. Ashleigh punches again, rippling at the barrier once more. Furious, the monster's eyes begin to glow once more as he glares at Ashleigh before hissing for the now-possessed Ashleigh to smash Alex's brains in. Torn between firing at Ashleigh about to beat his head in or firing at the monster who has obviously supernatural health, Alex takes his chances and fires Mabel's gun instead... and shatters the monster's shield apart. The bullet whizzes through and hits the monster in the chest, leaving a hole. The monster roars in rage and pain and disbelief, not having been hit in hundreds of years. Freed from the mind control, Ashleigh immediately punches the monster in the face and it drops down dead.

Alexandrite treats his own wounds first before turning to Mabel. The medicine he applies on her wounds fails to react, although he does manage to revive Miles - after tying him. Miles begins biting at him and calling him a murderer, saying he killed his mother. Alex snaps at Ruth - who had stayed nice and safe at the front door - to help him and Ashleigh drag everyone inside. Ruth retrieves the electric torch from Mabel and turns it on. Ashleigh flicks on a light switch and the lights come on. They're in a kitchen, with the house smelling like a muggy, heavy, humid rainforest. There's a door with a padlock and another opening that opens to a living room with stairs going up. Alex takes photos of the monster's body against the floor with no furnishings showing, and Ruth checks out the house. Ruth goes upstairs and finds two bedrooms and a lavatory. She checks out the first bedroom, which has a small bed, a hand-knitted quilt on it, and hand-knitted dresses hanging in the open closet. There is a sole high-heeled boot on the floor (likely from the hooker). The other bedroom has no decorations, a mattress on the floor (with nothing under it) and a closet. She tries the closet and finds it locked.

While this is going on, Alex finishes up photographing the monster. Alex finds two old-fashioned key hanging on the old woman's neck, and a set of normal house keys on Miles. Alex cuts the monster open and the hooker's other shoe and a bunch of sludge pours out. The shoe is sizzling. Alex, Ashleigh and Ruth goes upstairs. One of the house keys opens up the closet. There are a few jackets and a full suit hanging nicely. On the top shelf is a hatbox. Inside of the hatbox is a nice bowler; behind the hatbox, however, is a mahogany box. Ruth opens the mahogany box; there is a hypodermic needle and a small vial of strange green fluid. They take the vial. As Alex and Ruth discuss what to do, Ashleigh notices that there is no opening to an attic. Ashleigh goes to find where an attic entrance should be, and finds it stitched closed. Ruth uses her nail file to open the attic and a ladder comes down. She flashes Mabel's electric torch into the attic but can see nothing. She ascends cautiously.

Inside the attic, the skylights have been painted black to block light and there are several canvases. Ruth goes to look at the paintings - and turns away with her memory completely wiped (for an indeterminate number of months). She'll continue to have flashbacks to the paintings and acting peculiar, but still generally functional and able to create new memories.

Ashleigh calls up into the attic.

Corinne-as-Ruth: "Who are you?"
Brandon-borrowing-Ashleigh: "Uh... Ash."
Corinne-as-Ruth: "I don't know any Ash. I don't know... anyone."

At the voices, Alex walks out of the bedroom and approaches and asks what's going on. Ashleigh fills her in as Ruth descends the stairs. Alex goes back upstairs, grabs the electric torch she dropped, resists the peculiar urge to look at the canvas, and returns to the kitchen. He shines the torch down and finds boxes. He cautiously descends the steps. There's natural ground, and it's cold and damp. The basement has shelves everywhere, and on the shelves are large jars full of the green liquid. There are thick, leather-bound books with no titles. He approaches one of the boxes and the box has bottles of paints. Behind the box, however, he finds the outline of a doorframe and pushes it open warily. He finds a painting on a canvas of a small island. For a few seconds, he's positive he's standing inside of the painting, feeling the air and wind and water - and then by sheer luck he's back, but dripping wet. He goes back out to the basement, grabs paint, and splashes it over the wicked canvas.

Meanwhile, in the kitchen, Ashleigh politely introduces Ruth to Mabel.

Alex finds nothing else in the room and goes back out. He kicks a ceramic tub with a lid on his way over and picks it up; something thunks inside. He picks up one of the books and opens it, but finds the writing inside to be nonsensical gibberish he can't identify. He hauls the tub upstairs and has a polite exchange with Ashleigh where Ashleigh asks why he's wet and Alex responds that it's a funny story about a painting. Together, they agree, "Later." Ashleigh makes them a cuppa, and Alexandrite opens up the tub. Inside is the head of a blonde woman. Alex cautiously seals the jar and takes a sip of tea.

Once the tea is done, he goes to revive Miles, who screams about killing mother. Ashleigh holds up the green liquid and Miles instantly shuts up. After some prompted questions, he says that his mother is a beautiful, amazing goddess who once ruled the world before the ice came. She is one of the "last" - and when Alex asks who the "other" is, Miles says they're everywhere, in our skins. He paints to bring the others over, and came close once. The liquid is from Yuggoth.

Alex takes the vial of green liquid to keep for later. They empty out the green jars into the ground and Ashleigh burns the painting. They close the attic, Alex loots Frank's body (taking matches, a knife, $350, a mechanical repair kit and a machete), they untie him, Ashleigh picks up Mabel, Alex locks up the house, and Alex, Ashleigh, Ruth and Mabel head out, contact Sarah, and go back to her house. Sometime in the middle of the night, Declann stirs from his psychosis somewhere in the midst of London, manages to locate a telephone to call a very disgruntled Sarah, and get picked up.

02 September 2011

CoC: 01 Sep 2011 [Day 04]

CHARACTERS
Alexandrite Simon Addison: Parapsychologist, male, age 36. Speaks Latin. Yearly income $7500. Originally from Sheffield, England.
Mimosa MaiXue Mayberry: Police officer in homicide department, female, age 25. Speaks Mandarin. Ambidextrous. Yearly income $5500. Originally from Dahlonega, Georgia.
Ruth Day: Professor of archaeology/anthropology, female, age 34. Speaks Egyptian. Yearly income $3500.
Mabel Agatha Thujone: Waitress at a speakeasy, female, age 19. Left-handed. Yearly income $2500.
Frank Joe Franklin: Farmer/Mechanic, male, age 22. Yearly income $3500.
Saul Gideon: Safecracker, male, age 30. Yearly income $5500. Status at the end of the session: INCURABLY INSANE and located in a mental institution.
Declann Clifford Winters: Ex-soldier (Airman for the Royal Flying Corp), male, age 33. Cousin to Saul Gideon. Yearly income $20,000.
Ashleigh Kyllingmark: Dilettante and wannabe-hero, male, age __. Yearly income $___.


SPECIAL ITEMS
- Africa's Dark Sects (book)
- A large, empty, coppery bowl with unrecognizable runes that seem to squirm
- African devil mask
- Carved African sceptor with Egyptian hieroglyphics
- A headband with runes, which protect the wearer from nightgaunts
- The zebra pelt the above five items were wrapped in
- Whatever other items the investigators wanted to steal from Ju-Ju House
- Three articles from The Scoop
- Record of Roger Carlyle's mental health records



SPECIAL NOTES
In 1925, £1 = $4.87, although it began dropping over the next few years. In 1931, £1 = $3.69.
To look at inflation, the 1925 equivalent of one modern US dollar was $0.08.
The 1925 equivalent of one modern pound was six pence. (At the time, 12 pence in a shilling, 20 shillings in a pound - 260 pence in a pound)



TODAY'S SESSION
17 January 1925, Saturday

After the eventful events in the basement of Ju-Ju House, it's about half past two in the wee hours of the morning. Alex, Mimosa, Mabel, Frank, and Saul fetch Ruth, who'd returned home to sleep after the party, and the group return to Alex's flat. As they discuss what to do - sleep or examine the items - the ever-curious Alex begins playing around with their new finds. He puts on the zebra pelt, which does nothing. Then he tries on the mask - and despite its lack of straps, it adheres itself to his face. He sees only a mess of blurry images at first before one comes most chillingly into focus: an ancient elderly male with white hair and a long, braided beard, riding on a chariot being pulled by dolphins. When the man looks at Alex, the investigator sees the glare of countless eons burning into his soul. Then the mask falls unceremoniously off. Alex gets the feeling if he puts on the mask again he'll gain more knowledge and power, and if he knew the proper rituals he could communicate with what he saw... but decides to not do this right now. Saul tries on the mask... and then begins convulsing on the floor, more than completely mad. This quickly dissuades anybody else from attempting the same.

A sleepy but curious - and now disturbed, after watching Saul - Ruth examines the sceptor, which seems to tremble in her hands. She's able to read the hieroglyphics, which say, "The power is mine." While this is happening, Mabel looks about the room idly - and realizes that Alex is sawing at his wrist with his Swiss army knife, ever so casually. Frank leans over to take away the blade - and then a startled Alex jumps for his razorblade, finding his body moving of its own accord. Frank grabs at Alex but the man manages to break out of his grip, snatch his razorblade, and flee. Mimosa grabs at Alex, who breaks away again - and then Alex stops running to saw idly at himself. Mabel lunges at him, but also fails... Mimosa fails again... Frank fails again... Mabel fails again... and then Mimosa finally succeeds in getting the razorblade away and ties him up with one of the survival bracelets around her wrist.

Meanwhile, Ruth continues examining items, moving on to the bowl - the material of which she, in all of her years of study, can't identify. As the other investigators settle down to sleep with Mabel keeping an eye on the tied-up Alex,
Ruth begins reading the Africa's Dark Sects book for the next few hours. By the time she's done and the others awake, she discovers that she has developed schizophasia, with her words coming out as gibberish. Alex - who is still tied up for his continued suicidal behaviour but still being coherent in mind - assesses her to find that it should only last a few days. She also learns a new spell: "Create Zombies." She then examines the coppery bowl again, this time inspecting the runes - and vaguely recalls reading about the runes in Africa's Dark Sects. They seem to be related to a spell called "Send Dreams." As the rest of the investigators sleep on - except for the mentally shattered Saul, of course - she examines the headband next. The headband protects the wearer from a creature called a nightgaunt.

The investigators give up sleeping around noon due to Saul's screaming and shaking and crying. Alex wakes up awkwardly close to the window, having wriggled toward it in his fitful sleep. Mimosa confiscates Alex's potentially dangerous personal belongings, and Mabel calls Declann Clifford Winters, Saul's cousin.

Mabel: "So... you know how your cousin was fine yesterday? That kind of ended."

Declann arrives and Mabel lets him in. After an awkard conversation between the two,

Declann: "Listen, dollface, I don't have all day. I'm here to see my damn cousin."
Mabel: "Okay, assface, you can see your damn cousin! He's fucking crazy, by the way! I hope it's hereditary!"

An irate Mabel tries to convince Declann to try on the mask, and Ruth and Mimosa smack her. Mimosa then informs Declann that he really has two options: lock his cousin in an asylum where he will never recover and Declann will never know the truth, or come with us and investigate, because he will never believe us otherwise. After Mimosa swears on her badge that her words are truth, Declann decides to come along to find out what happened to Saul. Mimosa tells him to return by 7, dressed in a suit.

Ruth, Declann and Mimosa go to the party at the Carlyles' while Mabel and Frank stay by to watch Alex. They're stopped by tight security but the name of Ruth Day allows them in. They park and enter the enormous, impressively oppulent mansion, following the crowd to the dining hall. Bradley Gray spots them and shuffles over, taking them to the library. Erica is sitting in a beautiful gown, sitting beside Joe the bodyguard. They proceed to the couch, where a wary Erica - whom the still-schizophasic Ruth can deduce is hiding something - reveals little knowledge regarding Roger that we didn't already know, and denies knowledge of any belongings that might have been left behind by Roger. When prompted about the woman Roger was spending time with (and money on), Erica explains that according to Roger, she was a queen, or priestess at times. He was absolutely obsessed with her and spent days and days on end with her. He would also have horrific nightmares that would wake him screaming but wouldn't discuss their contents with Erica. As soon as Roger vanished, his room was cleaned out by one of the family's servants. Declann asks if we can go investigate with an escort, and Ruth asks - and is allowed - to examine the library. She finds a section of books of classic literature, a section on the occult, and a section of reference books with a book on Poe. As soon as she touches the book, however, Erica is there with a guard, asking her to leave immediately. Joe brings Declann back down and they are all escorted out. They leave.

They check the charter and find that the next boat is leaving on Tuesday morning.

Alex's bout of insanity ends on Monday morning and he is no longer trying to kill himself. He calls up to make an appointment to investigate the records, provides a nonsense fabricated reason to pull up Roger Carlyle's papers, and is told to arrive with his appropriate papers of accreditation. ((While the game calls for credit rating, our Keeper overrules this because Alex does have a perfect 20 in education and a PhD in psychology.)) He gets a copy of Dr. Robert Huston's records for Roger Vane Worthington Carlyle and leaves. According to the records, Roger admitted to a recurring dream in which a distant voice calls him by the name of Vane, which is what he always thought of himself as. The voice belongs to a tall, dark, gaunt man with an inverted ankh on his forehead who sends Roger/Vane off into space before being drawn into another aspect of the gaunt man, a pulsating ball of yellow energy.

Also in the records is some clarity on the woman Roger had been meeting: she is called M'Weru, Anastasia, and My Priest. ((Anastasia - deathless, resurrection, revival?)) Additionally, in December the therapist is afraid of Carlyle threatening "exposure" if he doesn't "go" (go to Africa?). Alex wonders... exposure of what? What was Dr. Huston doing? "If I do go, all pretense of analysis surely will be lost" - Pretense? Hmmm...

The investigators prepare themselves for their trip abroad. They leave the coppery bowl behind, as it's too large and conspicuous to lug about, but take the mask, sceptor, headband, book and papers with them. It is decided that Mimosa will remain behind with the bowl to operate as their point of contact back in New York, both to have somebody they trust who knows what's going on and because her disappearance from work would not be so lightly dismissed. While Alex and Ruth regularly travel with their work and Frank and Mabel are relatively unconnected civilians Mimosa is tied into the legal system... but just as importantly, she simply doesn't want to do it anymore. She's seen the horror that drove Saul mad, and with the sinking feeling that creature was only the tip of the iceberg, she's content to wish the others good luck and wire them money or supplies or communications as necessary.

It's a four-day boat trip to Southampton on the southern coast of England, and the investigators catch an express bus from there to London. (During the trip, Ruth's schizophasia also wears off and she resumes coherent speech once again.) London is constantly covered in a thick layer of soot and fog from the coal, and it's the biggest and most crowded city in the world. The investigators drop off their stuff with Alex's well-to-do sister and brother-in-law, hiding the Egyptian artifacts in one of the secret hideaways of the large, old house, before going to meet with Mickey Mahoney. A mutual friend of Ruth Day and the late Jackson Elias, Mahoney runs a sensationalist newspaper called The Scoop, and will be our primary contact in London. He's a short, fat Irish redhead surrounded by a haze of cigar smoke. He's hired a local, Ashleigh Kyllingmark, to show them about the foggy, dirty, overpopulated city.

Ashleigh is a tall, broad-shouldered, comfortably-dressed but plain man with a dopey face, large nose and droopy eyes. The sort of man who could disappear easily into a crowd and go unnoticed were it not for his size, he is cheerful and enthusiastic and oh so ready for adventure. He longs to do heroic acts and uncover mysteries and marvels and protect innocents. A Londoner born-and-bred but lacking any urban sophistication the title may imply, his well-to-do family has all but given up on him making anything of himself and supply him with enough money to go play, leaving him to his own devices. If all else fails, he's willing to be a meat shield before going out in a blaze of glory. A follower rather than a leader, he's essentially an overgrown puppy.

Mahoney gives the investigators three articles Jackson had wanted: one on a tentacle monster that attacked Alan Groot, another about an inhuman monster in Lesser-Edale that shredded two civilians and almost got a third (Harold Short), and the third about a painter named Miles Shipley whose uncomfortably grisly paintings are selling for up to £300 (modern day equilvalent of $13,000). He says Jackson had seemed jittery as he researched into the death cults and wouldn't share much information with him. He also offers Mabel a job modeling on the last page of his paper for a handsome £15 (modern day equivalent of about $650). With that, Mahoney sends the investigators and their new tour personal tourguide on their way.